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He describes the movie as an "epic barnstormer," and "a weird and self-aware epic with audacious surprises up its sleeve." The Telegraph The Guardian's Peter Bradshaw awarded the film five stars and complimented it for delivering delivering "pathos, action, drama, camp comedy," with its zinger of a script from Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Lowry's biggest issue seems to be the two-hour, 43-minute run time of the film, summarizing that No Time To Die simply takes "too much time to reach the finish." In her opinion, while Craig is brilliant as Bond, there's a "rotating slideshow of old characters and plot points." She's scathing of Malek's performance, stating he "gives almost nothing to the role beyond his accent and stereotyped disfigurement makeup."ĬNN's Brian Lowry calls it a "slightly bloated Bond film," but does compliment Ana de Armas' added dose of female empowerment in one memorable portion of the movie.
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On the other hand, The Independentoffers a more middle-of-the-road, three-star review, which calls No Time To Die "anti-climactic." Clarisse Loughrey writes that it's a shame Fukunaga's smashing action movie had to be a Bond film.
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Nicole Dove/DANJAQ, LLC AND MGMįukunaga manages to "find vulnerability in this most invulnerable of heroes" and creates a stunning, surprising finale to give Craig the send off he deserves, according to Empire.
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He says the addition of Phoebe Waller-Bridge to the writing team is done with "sufficient class and subtlety that only those who remain nostalgic for the serial bed-hopping and unapologetic sexual objectification of the Sean Connery years are likely to feel cheated."Ī still image from the upcoming movie "No Time To Die," Daniel Craig's final performance as James Bond. "There's plenty here for die-hard Bond fans to savor," according to David Rooney of The Hollywood Reporter. Glieberman calls the movie a fitting end to Craig's time in the role and "the send-off he deserves." The Hollywood Reporter Reviewer Owen Gleiberman praises Craig's performance, calling him an "invincible force who is also a human being with hidden vulnerabilities," while Rami Malek also gets praise for his role as villain Lyutsifer Safin. Variety calls No Time To Die Craig's best Bond movie since his debut in 2006, Casino Royale. Here's what the critics have said about No Time To Die: Variety While American audiences must wait until Friday, October 8 to watch the movie, those lucky enough to have seen it already are giving everyone reason to get excited for No Time To Die, after a barrage of four and five-star reviews.Ĭraig's understated vulnerable performance, Cary Joji Fukunaga's complex direction and Phoebe Waller-Bridge's unmistakable writing have all been singled out for praise. The latest and highly-anticipated installment of the beloved spy franchise was finally showcased last night, accompanied by a huge spectacle of a premiere in London's Albert Hall with royalty in attendance. But, as written by Eric Heisserer ( Lights Out), and based on a short story by Ted Chiang, the puzzles and the thought-provoking solutions in Arrival only enrich the movie's transcendent quality we're left with satisfying answers, but also fantastic questions.Read more James Bond Director Said Character Was 'Basically' a Rapist in Early Films Most films that begin with mysteries eventually give up everything, and invariably too soon, resulting in an anticlimax. The long build-up to the meeting of the aliens in Arrival is as wondrous and breathless as anything the movies have conjured up recently. The cinematography by Bradford Young ( Selma) is breathtakingly mesmerizing, still and patient, without relying on action or adrenaline.
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French-Canadian director Denis Villeneuve ( Prisoners, Enemy, Sicario) is becoming one of the best, smartest cinematic storytellers in the world, finding new ways to pull the camera back and observe, taking a little extra time to find emotions, and explore spaces and sounds (a chirping bird is especially poignant). It keeps its mysteries at bay, and, amazingly, doesn't disappoint when all is revealed. This deeply thoughtful, profoundly compassionate sci-fi movie beautifully mixes realism with a sense of wonder.
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